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Our Sense of Place

Arthur Ross Gallery
City, State, Zip
April 10, 2015 – June 21, 2015
An Exploration of Japan, the United States, and Beyond

ExPloring Sites in Japan, the United States, and Beyond

Our Sense of Place

  • About
  • Exhibition
  • A place is ...
  • Information
  • Acknowledgments
  • Contact

Katsushika Hokusai (1760-1849)

The Sazai Hall of the Temple of the Five
Hundred Arhats
(Gohyaku Rakanji Sazaidō), from
the series Thirty-Six Views of Mount Fuji (Fugaku sanjūrokkei), ca. 1830-31

Color woodblock print

9 3/4 x 14 13/16 inches (24.8 x 37.6 cm)

Philadelphia Museum of Art, The Samuel S. White 3rd and Vera White Collection, 1967

1967-30-181

 

The Sazai Hall or “Turbo Hall,” so named because its spiral stairway reminded people of the twisting-shape of a shell, of Rakanji Temple was a popular tourist spot in the city of Edo. The unusual three-story building offered unparalleled views from its top. In Hokusai’s print, visitors dressed in summer kimono gaze at the distant Mount Fuji while enjoying the cool breezes such height affords, a rare respite from the oppressive summer heat of the city.

Quintana Heathman

Katsushika Hokusai (1760-1849)

The Sazai Hall of the Temple of the Five
Hundred Arhats
(Gohyaku Rakanji Sazaidō), from
the series Thirty-Six Views of Mount Fuji (Fugaku sanjūrokkei), ca. 1830-31

Color woodblock print

9 3/4 x 14 13/16 inches (24.8 x 37.6 cm)

Philadelphia Museum of Art, The Samuel S. White 3rd and Vera White Collection, 1967

1967-30-181

 

The Sazai Hall or “Turbo Hall,” so named because its spiral stairway reminded people of the twisting-shape of a shell, of Rakanji Temple was a popular tourist spot in the city of Edo. The unusual three-story building offered unparalleled views from its top. In Hokusai’s print, visitors dressed in summer kimono gaze at the distant Mount Fuji while enjoying the cool breezes such height affords, a rare respite from the oppressive summer heat of the city.

Quintana Heathman