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Our Sense of Place

Arthur Ross Gallery
City, State, Zip
April 10, 2015 – June 21, 2015
An Exploration of Japan, the United States, and Beyond

ExPloring Sites in Japan, the United States, and Beyond

Our Sense of Place

  • About
  • Exhibition
  • A place is ...
  • Information
  • Acknowledgments
  • Contact

Iwami Reika (b. 1927)

Sea—Evening Calm, 1964

Color woodblock print

29 1/4 x 22 1/4 inches (74.3 x 56.5 cm)

Philadelphia Museum of Art, Gift of
Albert J. Caplan, 1964  

1964-190-1

 

Iwami’s woodblock prints are characterized by the artist’s use of thick, velvety inks, embossed surfaces, and the natural grain of un-hewn blocks of driftwood. Her bold yet simple compositions create a quiet intensity that demands the viewer’s attention.  In Sea—Evening Calm Iwami juxtaposes motion and stillness, specificity and abstraction; the image evokes a sense of primordial nature in the visual language of landscape to captivate the viewer’s eye. Although this work does not depict a specific place, the image nevertheless reminds one of the wide-open spaces of the natural world, like the expanse of the open sea.

Anna Moblard Meier

Iwami Reika (b. 1927)

Sea—Evening Calm, 1964

Color woodblock print

29 1/4 x 22 1/4 inches (74.3 x 56.5 cm)

Philadelphia Museum of Art, Gift of
Albert J. Caplan, 1964  

1964-190-1

 

Iwami’s woodblock prints are characterized by the artist’s use of thick, velvety inks, embossed surfaces, and the natural grain of un-hewn blocks of driftwood. Her bold yet simple compositions create a quiet intensity that demands the viewer’s attention.  In Sea—Evening Calm Iwami juxtaposes motion and stillness, specificity and abstraction; the image evokes a sense of primordial nature in the visual language of landscape to captivate the viewer’s eye. Although this work does not depict a specific place, the image nevertheless reminds one of the wide-open spaces of the natural world, like the expanse of the open sea.

Anna Moblard Meier