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Our Sense of Place

Arthur Ross Gallery
City, State, Zip
April 10, 2015 – June 21, 2015
An Exploration of Japan, the United States, and Beyond

ExPloring Sites in Japan, the United States, and Beyond

Our Sense of Place

  • About
  • Exhibition
  • A place is ...
  • Information
  • Acknowledgments
  • Contact

Nakayama François Masami (1898-1979)

Fuji, 1966

Color collograph

22 7/16 x 16 15/16 inches (57 x 43 cm) 

Philadelphia Museum of Art, Gift of
Albert J. Caplan, 1969

1969-59-4

 

This print of an abstracted Mount Fuji stands out as a thoroughly modern representation of a traditional “famous place.” A painter, engraver, muralist, and printmaker from Kobe, Nakayama took on the French name François after studying copperplate engraving in France in 1924. This print is made using the collograph technique, where the artist adheres a collage of various materials to a block to produce a varied surface. The block is then inked and printed onto paper, creating deep relief and varied textures.

Megan Czerwinski

Nakayama François Masami (1898-1979)

Fuji, 1966

Color collograph

22 7/16 x 16 15/16 inches (57 x 43 cm) 

Philadelphia Museum of Art, Gift of
Albert J. Caplan, 1969

1969-59-4

 

This print of an abstracted Mount Fuji stands out as a thoroughly modern representation of a traditional “famous place.” A painter, engraver, muralist, and printmaker from Kobe, Nakayama took on the French name François after studying copperplate engraving in France in 1924. This print is made using the collograph technique, where the artist adheres a collage of various materials to a block to produce a varied surface. The block is then inked and printed onto paper, creating deep relief and varied textures.

Megan Czerwinski